Craft, Model & Hobby Industry magazine was published by Hobby Publications, Inc. in the USA. The series was an essential piece of trade media history for the American manufacturing and retail sectors. Rather than being a magazine for end-consumers, Craft, Model & Hobby Industry was a dedicated trade publication. Its primary function was to connect hobby manufacturers, wholesale distributors, and retail store owners, providing a business-to-business pipeline for marketing, trade show scheduling, and industry-wide sales trends.
The series was published by Hobby Publications, Inc., an entity that operated out of New York City for a significant portion of the magazine’s run, later establishing its presence across broader publishing channels. Historical records show that the magazine was well-established by the mid-1940s and early 1950s, continuing into the 1980s. Issues followed a consistent monthly schedule, maintaining a sequential numbering system that reflects decades of continuous distribution to retail storefronts.
In terms of content, the magazine served as an advertising and informational powerhouse. It featured industry promotions, previews for upcoming trade events, market insight features, and guides to emerging craft trends. It offered a platform where major companies could layout their dealer incentives, marketing programs, and product rollouts for the coming quarters.
Craft, Model & Hobby Industry magazine, edition number 374, released in September 1976 contains an illustration of the Phantom on its front cover, together with an array of other characters licensed to King Features Syndicate. The magazine contains 70 black and white pages. This front cover features a full-page advertisement by Monogram Models, Inc. (based out of Morton Grove, Illinois). The front cover of this edition can be seen below.

Monogram, a giant in plastic model kits, utilized this space to tease their upcoming fall sales strategies with the bold question, “What’s Monogram doing to help you sell more this fall?” followed by their campaign slogan, “Funny You Should Ask!” The advertisement features a striking border of classic comic characters licensed under a Copyright King Features Syndicate line at the bottom, showcasing prominent pop-culture figures. The Phantom is seen on the left edge, alongside iconic characters like Popeye, Beetle Bailey, Flash Gordon, and Hagar the Horrible.
The advertisement published on page three as advertised on the front cover can be seen below.

The partnership between King Features Syndicate and Monogram Models, Inc. in this advertisement reflects a highly strategic, mutually beneficial marketing alignment common in the mid-1970s. For a trade advertisement featured in a business-facing B2B publication like Craft, Model & Hobby Industry, this cross-promotional tie-in served several specific commercial purposes:
1. Promoting a Licensed Product Line
The most direct reason for the partnership was the manufacturing of licensed merchandise. Toy and model-kit companies heavily relied on recognizable pop-culture properties to drive sales. By partnering with King Features Syndicate, Monogram secured the rights to produce model kits, figurines, or themed hobby sets based on King Features’ massive roster of globally recognized comic strip characters, such as the Phantom, Popeye, Beetle Bailey, and Flash Gordon. This trade ad was Monogram’s way of showing hobby shop owners and distributors that they possessed the high-profile licenses necessary to capture consumer interest for the upcoming fall season.
2. Instant Retail Familiarity and Mass Appeal
In 1976, comic strip characters were at the peak of mainstream cultural saturation, appearing daily in thousands of newspapers worldwide. Monogram used these characters as a visual shorthand to capture the attention of busy retail dealers. Surrounding their text with beloved figures like the Phantom instantly communicated that Monogram’s upcoming product line carried built-in, multi-generational appeal—saving the sales reps from having to explain the marketability of their products from scratch.
3. Mutual Brand Levelling
For Monogram Models, aligning with a media powerhouse like King Features Syndicate elevated their prestige, signaling to store owners that Monogram was a top-tier market leader with the capital to secure premium licensing contracts. Conversely, for King Features, allowing their characters to be prominently featured in a major trade campaign kept their intellectual properties visible to manufacturing insiders, paving the way for future merchandising deals, toy lines, and promotional partnerships within the broader hobby industry.
This intersection of trade marketing and licensed pop culture underscores the magazine’s role as a vital historical record. It documents not only the retail business strategies of the mid-20th century but also highlights how major model-kit manufacturers capitalized on syndication powerhouses like King Features to drive retail traffic, cementing Craft, Model & Hobby Industry as a crucial archive for hobbyists, collectors, and business historians alike.
