
Jean-Yves Mitton, born on the 11th of March 1945, in Toulouse, France, is a distinguished French comic book artist and writer renowned for his significant contributions to the Franco-Belgian comic scene. From an early age, Mitton exhibited a profound passion for both rugby and comic books, drawing inspiration from American classics like Tarzan and Mickey Mouse, as well as Franco-Belgian staples such as Tintin and Spirou. In 1958, his family relocated to Villeurbanne, near Lyon, where his father secured employment in the region. This move marked a pivotal moment in Mitton’s life, as he enrolled at the École des Beaux-Arts in Lyon in 1960, immersing himself in the study of fine arts. His academic pursuits laid a solid foundation for his future endeavors in the comic book industry.
In 1961, after a year at the Beaux-Arts, Mitton joined the retouching studio of Éditions Lug, a Lyon-based publishing house specializing in comics. Initially, his role involved retouching foreign comic strips to align with the stringent requirements of the French censorship commission. This experience provided him with invaluable insights into the intricacies of comic art and storytelling. Mitton’s first foray into original content creation was the series Sammy Sam, published in 1965 in the magazine Pim, Pam, Poum, Pipo, where he adopted the pseudonym Jym. Over the next eleven years, he honed his craft on various series, including Pim Pam Poum, Oum le Dauphin and Popoff. Notably, he contributed to approximately fifty episodes of Blek le Roc, a popular series featured in the magazine Kiwi.
The 1980s marked a significant period in Mitton’s career as he ventured into superhero comics tailored for the French market. Under the pseudonym John Milton, he co-created Mikros, a series centered around a superhero character, which was serialized in the magazine “Mustang” by Éditions Lug. This endeavor showcased Mitton’s versatility and his ability to adapt the superhero genre to resonate with French audiences.
In 1988, Mitton expanded his artistic repertoire by illustrating the Phantom for the Swedish comic book Fantomen. Between 1989 and 1993, he illustrated eight stories of the Phantom, collaborating with writers such as Donne Avenell, Lennart Moberg, Norman Worker and Scott Goodall. These stories were well-received and have been reprinted in various editions, including the French hardcover book ‘Le Fantôme de Jean-Yves Mitton’ published by Editions Black and White in 2022. This limited edition compiled all eight stories, offering fans a comprehensive collection of Mitton’s work on the iconic character.

Mitton’s collaboration with Éditions Lug was instrumental in bringing American superhero comics to French readers. He played a crucial role in adapting and illustrating stories for characters such as Silver Surfer and Spider-Man, ensuring their appeal to the French audience. His deep understanding of both American and Franco-Belgian comic traditions allowed him to bridge cultural gaps and introduce diverse storytelling styles to new readers.
Beyond his work on the Phantom, Mitton has an extensive portfolio that includes series like De Silence et de Sang, Vae Victis!, Les Survivants de l’Atlantique, Chroniques Barbares, and Quetzalcoatl. These works span various genres and historical periods, reflecting his versatility and depth as a storyteller. For instance, Vae Victis! is a historical series set during the Roman conquest of Gaul, while Chroniques Barbares delves into Viking sagas. His ability to weave intricate narratives across different settings has solidified his reputation as a masterful storyteller in the comic book industry.
Mitton’s influence extends beyond France, with his works being published and celebrated internationally. In Germany, Kult Comics released collections of his Phantom stories in 2024, making them accessible to a broader audience. These editions, such as ‘The Phantom – The First Four Stories Written by Jean-Yves Mitton’ and ‘The Phantom – The Second Four Stories Written by Jean-Yves Mitton’ have been well-received, further cementing his status as a significant figure in the global comic book community.


Throughout his illustrious career, Jean-Yves Mitton has demonstrated an unwavering commitment to the art of comic storytelling. His contributions have not only enriched the Franco-Belgian comic tradition but have also facilitated cross-cultural exchanges in the comic book world.
